Infinite Country: A Novel

¡ Simon and Schuster ¡ āļšāļŽāļąāļē InÊs del Castillo āˇ€āˇ’āˇƒāˇ’āļąāˇŠ
4.1
⎃āļ¸āˇāļŊāˇāļ āļą 11āļšāˇŠ
āˇāˇŠâ€āļģāˇ€āˇŠâ€āļēāļ´āˇœāļ­
āļ´āˇāļē 4 āļ¸āˇ’āļąāˇ’ 58
āļ…āˇƒāļ‚āļšāˇŠâ€āˇ‚⎒āļ´āˇŠāļ­
āˇƒāˇ”āļ¯āˇ”āˇƒāˇ”āļšāļ¸āˇŠ āļŊāļļāļē⎒
āļ‡āļœāļē⎓āļ¸āˇŠ āˇƒāˇ„ ⎃āļ¸āˇāļŊāˇāļ āļą āˇƒāļ­āˇŠâ€āļēāˇāļ´āļąāļē āļšāļģ āļąāˇāļ­Â āˇ€āˇāļŠāˇ’āļ¯āˇ”āļģ āļ¯āˇāļą āļœāļąāˇŠāļą
āļ¸āˇ’āļąāˇ’ 10āļš āˇƒāˇāļ¸āˇŠāļ´āļŊāļēāļšāˇŠ āļ…āˇ€āˇāˇŠâ€āļēāļ¯? āļ•āļąāˇ‘āļ¸ āˇ€āˇšāļŊāˇāˇ€āļš, āļąāˇœāļļ⎐āļŗāˇ’⎀ āļ´āˇ€āˇ āˇƒāˇ€āļąāˇŠ āļ¯āˇ™āļąāˇŠāļą. 
āļ‘āļšāˇŠ āļšāļģāļąāˇŠāļą

āļ¸āˇ™āļ¸ āˇāˇŠâ€āļģāˇ€āˇŠâ€āļē āļ´āˇœāļ­ āļœāˇāļą

A REESE’S BOOK CLUB PICK and INSTANT NEW YORK TIMES BESTSELLER

WINNER OF THE 2021 NEW AMERICAN VOICES AWARD, LONGLISTED FOR THE 2022 ANDREW CARNEGIE MEDAL, A 2022 DAYTON LITERARY PEACE PRIZE FINALIST, AND A NATIONAL ENDOWMENT OF THE ARTS “BIG READS” SELECTION

“A profound, beautiful novel.” —People * “Poignant.” —BuzzFeed * “A breathtaking story of the unimaginable prices paid for a better life.” —Esquire

This “heartbreaking portrait of a family dealing with the realities of migration and separation” (Time) is “a sweeping love story and tragic drama [and] an authentic vision of what the American Dream looks like in a nationalistic country” (Elle).

I often wonder if we are living the wrong life in the wrong country.

Talia is being held at a correctional facility for adolescent girls in the forested mountains of Colombia after committing an impulsive act of violence that may or may not have been warranted. She urgently needs to get out and get back home to BogotÃĄ, where her father and a plane ticket to the United States are waiting for her. If she misses her flight, she might also miss her chance to finally be reunited with her family.

How this family came to occupy two different countries, two different worlds, comes into focus like twists of a kaleidoscope. We see Talia’s parents, Mauro and Elena, fall in love in a market stall as teenagers against a backdrop of civil war and social unrest. We see them leave BogotÃĄ with their firstborn, Karina, in pursuit of safety and opportunity in the United States on a temporary visa, and we see the births of two more children, Nando and Talia, on American soil. We witness the decisions and indecisions that lead to Mauro’s deportation and the family’s splintering—the costs they’ve all been living with ever since.

Award-winning, internationally acclaimed author Patricia Engel, herself a dual citizen and the daughter of Colombian immigrants, gives voice to all five family members as they navigate the particulars of their respective circumstances. Rich with BogotÃĄ urban life, steeped in Andean myth, and tense with the daily reality of the undocumented in America, Infinite Country “is as much an all-American story as it is a global one” (Booklist, starred review).

āļ‡āļœāļē⎓āļ¸āˇŠ āˇƒāˇ„ ⎃āļ¸āˇāļŊāˇāļ āļą

4.1
⎃āļ¸āˇāļŊāˇāļ āļą 11āļšāˇŠ

āļšāļģ⎊āļ­āˇ˜ āļ´āˇ’⎅⎒āļļāļŗ

Patricia Engel is the author of Infinite Country, a New York Times bestseller and Reese’s Book Club selection; The Veins of the Ocean, winner of the Dayton Literary Peace Prize; It’s Not Love, It’s Just Paris, winner of the International Latino Book Award; and Vida, a finalist for the Pen/Hemingway and Young Lions Fiction Awards, New York Times Notable Book, and winner of Colombia’s national book award, the Premio Biblioteca de Narrativa Colombiana. She is a recipient of fellowships from the Guggenheim Foundation and the National Endowment for the Arts. Her stories appear in The Best American Short Stories, The Best American Mystery Stories, The O. Henry Prize Stories, and elsewhere. Born to Colombian parents, and herself a dual citizen, Patricia is an associate professor of creative writing at the University of Miami.

āļ¸āˇ™āļ¸ āˇāˇŠâ€āļģāˇ€āˇŠâ€āļē āļ´āˇœāļ­ āļ…āļœāļēāļąāˇŠāļą

āļ”āļļ āˇƒāˇ’āļ­āļą āļ¯āˇ™āļē āļ…āļ´āļ§ āļšāˇ’āļēāļąāˇŠāļą.

āˇƒāˇ€āļąāˇŠ āļ¯āˇ“āļ¸āˇš āļ­āˇœāļģāļ­āˇ”āļģ⎔

⎃⎊āļ¸āˇāļģ⎊āļ§āˇŠ āļ¯āˇ”āļģāļšāļŽāļą āˇƒāˇ„ āļ§āˇāļļ⎊āļŊāļ§āˇŠ
Android āˇƒāˇ„ iPad/iPhone ⎃āļŗāˇ„āˇ Google Play āļ´āˇœāļ­āˇŠ āļē⎙āļ¯āˇ”āļ¸ āˇƒāˇŠāļŽāˇāļ´āļąāļē āļšāļģāļąāˇŠāļą. āļ‘āļē āļ”āļļ⎚ āļœāˇ’āļĢ⎔āļ¸ āˇƒāļ¸āļŸ āˇƒāˇŠāˇ€āļēāļ‚āļšāˇŠâ€āļģ⎓āļē⎀ ⎃āļ¸āļ¸āˇ”⎄⎔āļģ⎊āļ­ āļšāļģāļą āļ…āļ­āļģ āļ”āļļāļ§ āļ•āļąāˇ‘āļ¸ āļ­āˇāļąāļš āˇƒāˇ’āļ§ āˇƒāļļ⎐āļŗāˇ’⎀ āˇ„āˇ āļąāˇœāļļ⎐āļŗāˇ’⎀ āļšāˇ’āļē⎀⎓āļ¸āļ§ āļ‰āļŠ āˇƒāļŊ⎃āļē⎒.
āļŊ⎐āļ´āˇŠāļ§āˇœāļ´āˇŠ āˇƒāˇ„ āļ´āļģ⎒āļœāļĢāļš
āļ”āļļāļœāˇš āļ´āļģ⎒āļœāļĢāļšāļē⎚ ⎀⎙āļļ⎊ āļļāˇŠâ€āļģāˇ€āˇŠāˇƒāļģāļē āļˇāˇāˇ€āˇ’āļ­āļē⎙āļąāˇŠ Google Play āļ¸āļ­ āļ¸āˇ’āļŊāļ¯āˇ“ āļœāļ­āˇŠ āļ´āˇœāļ­āˇŠ āļ”āļļāļ§ āļšāˇ’āļē⎀⎒āļē ⎄⎐āļš.