Gulliver’s Travels

Jonathan Swift

જૂન 2005 · HarperCollins · Martin Shaw દ્વારા વર્ણન કરેલ

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ઑડિયોબુક

3 કલાક 9 મિનિટ

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રેટિંગ અને રિવ્યૂ ચકાસેલા નથી વધુ જાણો

14 મિનિટનો નમૂનો જોઈએ છે? ઑફલાઇન હો, ત્યારે પણ ગમે ત્યારે સાંભળો.

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આ ઑડિયોબુક વિશે

Swift’s scornful satire, written “to vex the world rather than divert it”, takes a caustic look at those most contemporary concerns irrational prejudice, social inequality, ivory tower elitism and the correct way to open a boiled egg.

'I cannot but conclude the bulk of your natives to be the most pernicious race of little odious vermin that nature ever suffered to crawl upon the surface of the earth.'

Shipwrecked on the high seas, Lemuel Gulliver finds himself washed up on the strange island of Lilliput, a land inhabited by quarrelsome miniature people. On his travels he continues to meet others who force him to reflect on human behaviour – the giants of Brobdingnag, the Houyhnhnms and the Yahoos. In this scathing satire on the politics and morals of the 18th Century, Swift's condemnation of society and its institutions still resonates today.

રેટિંગ અને રિવ્યૂ

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લેખક વિશે

Apparently doomed to an obscure Anglican parsonage in Laracor, Ireland, even after he had written his anonymous masterpiece, A Tale of a Tub (c.1696), Swift turned a political mission to England from the Irish Protestant clergy into an avenue to prominence as the chief propagandist for the Tory government. His exhilaration at achieving importance in his forties appears engagingly in his Journal to Stella (1710--13), addressed to Esther Johnson, a young protegee for whom Swift felt more warmth than for anyone else in his long life. At the death of Queen Anne and the fall of the Tories in 1714, Swift became dean of St. Patrick's Cathedral, Dublin. In Ireland, which he considered exile from a life of power and intellectual activity in London, Swift found time to defend his oppressed compatriots, sometimes in such contraband essays as his Drapier's Letters (1724), and sometimes in such short mordant pieces as the famous A Modest Proposal (1729); and there he wrote perhaps the greatest work of his time, Gulliver's Travels (1726). Using his characteristic device of the persona (a developed and sometimes satirized narrator, such as the anonymous hack writer of A Tale of a Tub or Isaac Bickerstaff in Predictions for the Ensuing Year, who exposes an astrologer), Swift created the hero Gulliver, who in the first instance stands for the bluff, decent, average Englishman and in the second, humanity in general. Gulliver is a full and powerful vision of a human being in a world in which violent passions, intellectual pride, and external chaos can degrade him or her---to animalism, in Swift's most horrifying images---but in which humans do have scope to act, guided by the Classical-Christian tradition. Gulliver's Travels has been an immensely successful children's book (although Swift did not care much for children), so widely popular through the world for its imagination, wit, fun, freshness, vigor, and narrative skill that its hero is in many languages a common proper noun. Perhaps as a consequence, its meaning has been the subject of continuing dispute, and its author has been called everything from sentimental to mad. Swift died in Dublin and was buried next to his beloved "Stella."

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