Geist: Prelude

World Castle Publishing, LLC · ЖИ Matt үнү менен баяндап берет (Google'дан)
Аудиокитеп
7 с.
Толук
Кошсо болот
ЖИ баяндап берген
Рейтинг жана сын-пикирлер текшерилген жок  Кеңири маалымат
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Кошуу

Бул аудиокитеп жөнүндө маалымат

THE SYMPHONY BEGINS

 

Midway through the dull, grey journey of college, Victor Roland, a high-functioning autistic, is dragged into his own world of sword and steam. Here, the year is 1884, by Imperial reckoning.

 

In the shadows of its cathedrals, a series of grisly murders sweep the metropolis of Holy Gothica. Soon after his descent, Victor learns of portals in televisions, where daemons lurk in an abyss shrouded in fog, and emerge when blackouts wrack the city. But when he discovers that his friends from “reality” — Charles Garner, a middle-aged “connoisseur of cannabis,” and, Beatrice Morrison, a biker with a goth streak — are trapped in here, Victor resolves to find them, lest they wind up kidnapped by, “the Dollmaker,” and slaughtered behind the screens. 

Fortunately, Victor awakens to the power of Geist — to summon a living facet of his own psyche, to battle the evil born of everyone’s souls. A power that earns him a chance to find his dear friends, and perhaps even a way home … 

Whimsical, humorous yet terrifying, Geist: Prelude will hold readers long into the night and pave the road for a series of dark fantasy and gothic dystopia.


Автор жөнүндө

Diagnosed with Asperger’s Syndrome at a young age, Fallon O’Neill has been writing since his sophomore year of high school. These scribblings and vignettes would eventually become the earliest drafts of his debut novel, Geist: Prelude. Dedicated and passionate, Fallon has worked his novels with the Blue Moon Writer’s Group for over seven years, culminating in winning second place at the Will Albrecht Young Writers Competition of 2012, and publication in the eighth issue of the Blue Moon Art And Literary Review. His favorite pastimes include grabbing a beer (or four) at the local bar, blasting soundtracks into his skull, and watching German movies from the ‘20s to keep the existential dread at bay.


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