Fallout

¡ Simon and Schuster ¡ āļšāļŽāļąāļē Candace Thaxton, Rebekkah Ross, Jonathan Todd Ross, āˇƒāˇ„ Kirby Heyborne āˇ€āˇ’āˇƒāˇ’āļąāˇŠ
4.8
⎃āļ¸āˇāļŊāˇāļ āļą 8āļšāˇŠ
āˇāˇŠâ€āļģāˇ€āˇŠâ€āļēāļ´āˇœāļ­
āļ´āˇāļē 9 āļ¸āˇ’āļąāˇ’ 5
āļ…āˇƒāļ‚āļšāˇŠâ€āˇ‚⎒āļ´āˇŠāļ­
āˇƒāˇ”āļ¯āˇ”āˇƒāˇ”āļšāļ¸āˇŠ āļŊāļļāļē⎒
āļ‡āļœāļē⎓āļ¸āˇŠ āˇƒāˇ„ ⎃āļ¸āˇāļŊāˇāļ āļą āˇƒāļ­āˇŠâ€āļēāˇāļ´āļąāļē āļšāļģ āļąāˇāļ­Â āˇ€āˇāļŠāˇ’āļ¯āˇ”āļģ āļ¯āˇāļą āļœāļąāˇŠāļą
āļ¸āˇ’āļąāˇ’ 10āļš āˇƒāˇāļ¸āˇŠāļ´āļŊāļēāļšāˇŠ āļ…āˇ€āˇāˇŠâ€āļēāļ¯? āļ•āļąāˇ‘āļ¸ āˇ€āˇšāļŊāˇāˇ€āļš, āļąāˇœāļļ⎐āļŗāˇ’⎀ āļ´āˇ€āˇ āˇƒāˇ€āļąāˇŠ āļ¯āˇ™āļąāˇŠāļą. 
āļ‘āļšāˇŠ āļšāļģāļąāˇŠāļą

āļ¸āˇ™āļ¸ āˇāˇŠâ€āļģāˇ€āˇŠâ€āļē āļ´āˇœāļ­ āļœāˇāļą

This gripping conclusion to the New York Times bestselling Crank trilogy features a refreshed look and a trade paperback trim size.

Hunter, Autumn, and Summer—three of Kristina Snow’s five children—live in different homes, with different guardians and different last names. They share only a predisposition for addiction and a host of troubled feelings toward the mother who barely knows them, a mother who has been riding with the monster, crank, for twenty years.

Hunter is nineteen, angry, getting by in college with a job at a radio station, a girlfriend he loves in the only way he knows how, and the occasional party. He's struggling to understand why his mother left him, when he unexpectedly meets his rapist father, and things get even more complicated. Autumn lives with her single aunt and alcoholic grandfather. When her aunt gets married, and the only family she’s ever known crumbles, Autumn’s compulsive habits lead her to drink. And the consequences of her decisions suggest that there’s more of Kristina in her than she’d like to believe. Summer doesn’t know about Hunter, Autumn, or their two youngest brothers, Donald and David. To her, family is only abuse at the hands of her father’s girlfriends and a slew of foster parents. Doubt and loneliness overwhelm her, and she, too, teeters on the edge of her mother’s notorious legacy. As each searches for real love and true family, they find themselves pulled toward the one person who links them together—Kristina, Bree, mother, addict. But it is in each other, and in themselves, that they find the trust, the courage, the hope to break the cycle.

Told in three voices and punctuated by news articles chronicling the family’s story, FALLOUT is the stunning conclusion to the trilogy begun by CRANK and GLASS, and a testament to the harsh reality that addiction is never just one person’s problem.

āļ‡āļœāļē⎓āļ¸āˇŠ āˇƒāˇ„ ⎃āļ¸āˇāļŊāˇāļ āļą

4.8
⎃āļ¸āˇāļŊāˇāļ āļą 8āļšāˇŠ

āļšāļģ⎊āļ­āˇ˜ āļ´āˇ’⎅⎒āļļāļŗ

Ellen Hopkins is the #1 New York Times bestselling author of numerous young adult novels, as well as the adult novels such as Triangles, Collateral, and Love Lies Beneath. She lives with her family in Carson City, Nevada, where she has founded Ventana Sierra, a nonprofit youth housing and resource initiative. Follow her on Twitter at @EllenHopkinsLit.

āļ¸āˇ™āļ¸ āˇāˇŠâ€āļģāˇ€āˇŠâ€āļē āļ´āˇœāļ­ āļ…āļœāļēāļąāˇŠāļą

āļ”āļļ āˇƒāˇ’āļ­āļą āļ¯āˇ™āļē āļ…āļ´āļ§ āļšāˇ’āļēāļąāˇŠāļą.

āˇƒāˇ€āļąāˇŠ āļ¯āˇ“āļ¸āˇš āļ­āˇœāļģāļ­āˇ”āļģ⎔

⎃⎊āļ¸āˇāļģ⎊āļ§āˇŠ āļ¯āˇ”āļģāļšāļŽāļą āˇƒāˇ„ āļ§āˇāļļ⎊āļŊāļ§āˇŠ
Android āˇƒāˇ„ iPad/iPhone ⎃āļŗāˇ„āˇ Google Play āļ´āˇœāļ­āˇŠ āļē⎙āļ¯āˇ”āļ¸ āˇƒāˇŠāļŽāˇāļ´āļąāļē āļšāļģāļąāˇŠāļą. āļ‘āļē āļ”āļļ⎚ āļœāˇ’āļĢ⎔āļ¸ āˇƒāļ¸āļŸ āˇƒāˇŠāˇ€āļēāļ‚āļšāˇŠâ€āļģ⎓āļē⎀ ⎃āļ¸āļ¸āˇ”⎄⎔āļģ⎊āļ­ āļšāļģāļą āļ…āļ­āļģ āļ”āļļāļ§ āļ•āļąāˇ‘āļ¸ āļ­āˇāļąāļš āˇƒāˇ’āļ§ āˇƒāļļ⎐āļŗāˇ’⎀ āˇ„āˇ āļąāˇœāļļ⎐āļŗāˇ’⎀ āļšāˇ’āļē⎀⎓āļ¸āļ§ āļ‰āļŠ āˇƒāļŊ⎃āļē⎒.
āļŊ⎐āļ´āˇŠāļ§āˇœāļ´āˇŠ āˇƒāˇ„ āļ´āļģ⎒āļœāļĢāļš
āļ”āļļāļœāˇš āļ´āļģ⎒āļœāļĢāļšāļē⎚ ⎀⎙āļļ⎊ āļļāˇŠâ€āļģāˇ€āˇŠāˇƒāļģāļē āļˇāˇāˇ€āˇ’āļ­āļē⎙āļąāˇŠ Google Play āļ¸āļ­ āļ¸āˇ’āļŊāļ¯āˇ“ āļœāļ­āˇŠ āļ´āˇœāļ­āˇŠ āļ”āļļāļ§ āļšāˇ’āļē⎀⎒āļē ⎄⎐āļš.