Ego Playground

Read Ego Playground to Discover—

• Ego Games We All Play

• Ego Endless Loops

• Ego Knots and Traps

• Ego Insanity in Relationships

Mind Traps and Quicksand

• Ego Playground is a collection of numerous mind traps that the author has discovered or helped others to overcome during his many years as a mental health counselor.

• This collection of inner dialogues contains examples of accepted insanity, bogs, circular reasoning, delusions, ego, endless loops, hypocrisies, illusions, internal conflicts, knots, maelstroms, maya, paradoxical problems, psychological games, quicksand, scripts, snippets, tangles, tapes, traps, and undertows.

Source of Mind Games

• The mind games were collected from practicing therapy, meditation, recovery processes, and through the inspiration of primarily the following four books: “Games People Play” by Eric Berne, “Knots by R. D. Laing,” “Reason and Emotion in Psychotherapy: Revised and Updated” by Albert Ellis, and “Freedom From the Known” by Jiddu Krishnamurti.

• “Ego Playground” is an advanced collection of self-defeating loops, while the beginner’s guide collection of self-defeating loops can be found in “Garbage Rules.”

• To understand the structure, purpose, and payoffs for human ego games, read “Games Ego Plays.”

• To enjoy related quotations, sayings, and aphorisms, see these books: https://kevinfitzmaurice.com/our-books-help/sayings-aphorisms-books/.

Poetic Format

• The self-defeating loops, scripts, or knots are presented in a consistent poetic form.

• Each poem is written in three triplets.

• A triplet is a three-line stanza.

• A stanza in poetry is similar to a paragraph in prose.

• This format became the poetic form because, over time, it proved to be a useful mold to induce adherence to the essentials of the desired meaning for each poem.

• The three-by-three format also allows for deviation in the way to read the ego games or poems for modulating their emphasis and meaning.

Poetic Strategies

• Sometimes, poets purposely reverse normal wording or phrasing to awaken their audience to some meaning that has lost its savor or become dull over time.

• People often wind up preferring particular poets and styles of poetry.

• One of this author’s favorites is Haiku, a Japanese style with a fun Senryū variation.

Titles of Poems Provide Meaning

• The title of any poem or ego knot can be used to direct the meaning, glean the meaning, or play on the meaning of the knot/poem.

• Other poetic stratagems were also used, such as alliteration and enjambment.

• Furthermore, the three-line form allows for symmetrical typographical design.

• You might look for outlines of shapes within the white space, such as a vase, goblet, or tree.

• Since this book is left-justified, and because you might have purchased it as an e-book, the shapes may or may not appear on your device.

• Sometimes, the break in a stanza does not fit the break in thought or voice.

• The beginning lines of an idea or voice are left-aligned, and the lines continuing that thought or voice are indented farther to indicate where a break occurs.

Less “I” Less Ego

• In some poems, “I” is left lowercase.

• This is on purpose, though the point of it depends on the poem.

• In some, a small “i” was used only to indicate a weak sense of self or a state of self-downing.

• In others, “I” and “i” are used to distinguish the voices in some parent-to-child dialogues.

• (The small “i” is used for the inner-child voice, and the large “I” is used for the inner-parent voice. “I” is also used to represent the ego, self-absorption, or egotistical states of non-being.)

• Read and Enjoy!