ENtities

¡ Tektime ¡ āļšāļŽāļąāļē Ian A Miller āˇ€āˇ’āˇƒāˇ’āļąāˇŠ
āˇāˇŠâ€āļģāˇ€āˇŠâ€āļēāļ´āˇœāļ­
āļ´āˇāļē 2 āļ¸āˇ’āļąāˇ’ 36
āļ…āˇƒāļ‚āļšāˇŠâ€āˇ‚⎒āļ´āˇŠāļ­
āˇƒāˇ”āļ¯āˇ”āˇƒāˇ”āļšāļ¸āˇŠ āļŊāļļāļē⎒
āļ‡āļœāļē⎓āļ¸āˇŠ āˇƒāˇ„ ⎃āļ¸āˇāļŊāˇāļ āļą āˇƒāļ­āˇŠâ€āļēāˇāļ´āļąāļē āļšāļģ āļąāˇāļ­Â āˇ€āˇāļŠāˇ’āļ¯āˇ”āļģ āļ¯āˇāļą āļœāļąāˇŠāļą
āļ¸āˇ’āļąāˇ’ 15āļš āˇƒāˇāļ¸āˇŠāļ´āļŊāļēāļšāˇŠ āļ…āˇ€āˇāˇŠâ€āļēāļ¯? āļ•āļąāˇ‘āļ¸ āˇ€āˇšāļŊāˇāˇ€āļš, āļąāˇœāļļ⎐āļŗāˇ’⎀ āļ´āˇ€āˇ āˇƒāˇ€āļąāˇŠ āļ¯āˇ™āļąāˇŠāļą. 
āļ‘āļšāˇŠ āļšāļģāļąāˇŠāļą

āļ¸āˇ™āļ¸ āˇāˇŠâ€āļģāˇ€āˇŠâ€āļē āļ´āˇœāļ­ āļœāˇāļą

ENtities is a selection of the five best short stories from BegottEN and the five best stories from IdenTITIES. It includes the following: Family History, The Toad Who Was a Poet, The Cave, The Man in the Mirror, Dawn, The Dream, Inner Monsters (or Fable in One Act), The Night Walk, The Avaricious Man, Ants.

“Diego Maenza writes with certainty. Beings and situations that refer us to monsters located in those twisted paths of imagination and reality. These stories are tremendously deep because of the philosophical touches, surprising because of the subject matter and unexpected because of the endings”. (Carlos Ramos, Mexican writer) “His stories convey metaphysical ideas, they play with time and space; they try to make the minimum transcendent, the same nothing. They relocate us, they put us in different territories, they offer us the glances of lonely beings or human beings who must face destinies, even if their missions are not heroic, but only brush against a darkness that can break any spirit ”. (IvÃĄn Rodrigo MendizÃĄbal, Ecuadorian writer and critic)

PUBLISHER: TEKTIME

āļ¸āˇ™āļ¸ āˇāˇŠâ€āļģāˇ€āˇŠâ€āļē āļ´āˇœāļ­ āļ…āļœāļēāļąāˇŠāļą

āļ”āļļ āˇƒāˇ’āļ­āļą āļ¯āˇ™āļē āļ…āļ´āļ§ āļšāˇ’āļēāļąāˇŠāļą.

āˇƒāˇ€āļąāˇŠ āļ¯āˇ“āļ¸āˇš āļ­āˇœāļģāļ­āˇ”āļģ⎔

⎃⎊āļ¸āˇāļģ⎊āļ§āˇŠ āļ¯āˇ”āļģāļšāļŽāļą āˇƒāˇ„ āļ§āˇāļļ⎊āļŊāļ§āˇŠ
Android āˇƒāˇ„ iPad/iPhone ⎃āļŗāˇ„āˇ Google Play āļ´āˇœāļ­āˇŠ āļē⎙āļ¯āˇ”āļ¸ āˇƒāˇŠāļŽāˇāļ´āļąāļē āļšāļģāļąāˇŠāļą. āļ‘āļē āļ”āļļ⎚ āļœāˇ’āļĢ⎔āļ¸ āˇƒāļ¸āļŸ āˇƒāˇŠāˇ€āļēāļ‚āļšāˇŠâ€āļģ⎓āļē⎀ ⎃āļ¸āļ¸āˇ”⎄⎔āļģ⎊āļ­ āļšāļģāļą āļ…āļ­āļģ āļ”āļļāļ§ āļ•āļąāˇ‘āļ¸ āļ­āˇāļąāļš āˇƒāˇ’āļ§ āˇƒāļļ⎐āļŗāˇ’⎀ āˇ„āˇ āļąāˇœāļļ⎐āļŗāˇ’⎀ āļšāˇ’āļē⎀⎓āļ¸āļ§ āļ‰āļŠ āˇƒāļŊ⎃āļē⎒.
āļŊ⎐āļ´āˇŠāļ§āˇœāļ´āˇŠ āˇƒāˇ„ āļ´āļģ⎒āļœāļĢāļš
āļ”āļļāļœāˇš āļ´āļģ⎒āļœāļĢāļšāļē⎚ ⎀⎙āļļ⎊ āļļāˇŠâ€āļģāˇ€āˇŠāˇƒāļģāļē āļˇāˇāˇ€āˇ’āļ­āļē⎙āļąāˇŠ Google Play āļ¸āļ­ āļ¸āˇ’āļŊāļ¯āˇ“ āļœāļ­āˇŠ āļ´āˇœāļ­āˇŠ āļ”āļļāļ§ āļšāˇ’āļē⎀⎒āļē ⎄⎐āļš.

Diego Maenza āˇ€āˇ’āˇƒāˇ’āļąāˇŠ āļ­āˇ€āļ­āˇŠ

⎃āļ¸āˇāļą āˇāˇŠâ€āļģāˇ€āˇŠâ€āļēāļ´āˇœāļ­āˇŠ

āļšāļŽāļąāļē Ian A Miller āˇ€āˇ’āˇƒāˇ’āļąāˇ’