關於這本有聲書
When Gideon Oliver and his wife, Julie, are in Tuscany visiting the Cubbiddu family, the renowned Skeleton Detective is asked to reexamine the remains of a mysterious family tragedy. Pietro Cubbiddu, former patriarch of the Villa Antica wine empire, is thought to have killed his wife and then himself in the remote mountains of the Apennines. It does not take long for Gideon to deduce that, whatever happened, a murder-suicide it was not.
Soon Gideon finds himself in a morass of family antipathies, conflicts, and mistrust, to say nothing of the local authority's resentment. And when yet another Cubbiddu relation meets an unlikely end, it becomes bone-chillingly clear that the killer is far from finished . . .
Soon Gideon finds himself in a morass of family antipathies, conflicts, and mistrust, to say nothing of the local authority's resentment. And when yet another Cubbiddu relation meets an unlikely end, it becomes bone-chillingly clear that the killer is far from finished . . .
關於作者
Former anthropologist Aaron Elkins has been writing mysteries and thrillers since 1982. He won an Edgar award for Old Bones, as well as an Agatha (with his wife Charlotte), and a Nero Wolfe Award. His major continuing series features forensic anthropologist-detective Gideon Oliver, "the skeleton detective". Aaron speaks often at professional conferences, is a frequent contributor to the New York Times, has written for Smithsonian magazine, and is the author of several short stories. His work, which has been published in over a dozen languages, include: NASTY BREAKS (with his wife Charlotte Elkins), MAKE NO BONES, A DECEPTIVE CLARITY, SKELETON DANCE, THE DARK PLACE, and Little Tiny Teeth. He and his wife Charlotte live in Washington.
Joel Richards was the kid who did crazy things just to have a good story to tell afterward. On deciding to make his affection his profession, he received a BFA in acting and a BA in English from the University of Utah. He has narrated over 150 audiobooks and continues to tell his original stories to live audiences.
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