Domestic Manners of the Americans

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Sobre este audiolivro

On the 4th of November, 1827, I sailed from London, accompanied by my son and two daughters; and after a favourable, though somewhat tedious voyage, arrived on Christmas-day at the mouth of the Mississippi.

The first indication of our approach to land was the appearance of this mighty river pouring forth its muddy mass of waters, and mingling with the deep blue of the Mexican Gulf. The shores of this river are so utterly flat, that no object upon them is perceptible at sea, and we gazed with pleasure on the muddy ocean that met us, for it told us we were arrived, and seven weeks of sailing had wearied us; yet it was not without a feeling like regret that we passed from the bright blue waves, whose varying aspect had so long furnished our chief amusement, into the murky stream which now received us.

Large flights of pelicans were seen standing upon the long masses of mud which rose above the surface of the waters, and a pilot came to guide us over the bar, long before any other indication of land was visible.

I never beheld a scene so utterly desolate as this entrance of the Mississippi. Had Dante seen it, he might have drawn images of another Bolgia from its horrors. One only object rears itself above the eddying waters; this is the mast of a vessel long since wrecked in attempting to cross the bar, and it still stands, a dismal witness of the destruction that has been, and a boding prophet of that which is to come.

By degrees bulrushes of enormous growth become visible, and a few more miles of mud brought us within sight of a cluster of huts called the Balize, by far the most miserable station that I ever saw made the dwelling of man, but I was told that many families of pilots and fishermen lived there.

For several miles above its mouth, the Mississippi presents no objects more interesting than mud banks, monstrous bulrushes, and now and then a huge crocodile luxuriating in the slime. Another circumstance that gives to this dreary scene an aspect of desolation, is the incessant appearance of vast quantities of drift wood, which is ever finding its way to the different mouths of the Mississippi. Trees of enormous length, sometimes still bearing their branches, and still oftener their uptorn roots entire, the victims of the frequent hurricane, come floating down the stream. Sometimes several of these, entangled together, collect among their boughs a quantity of floating rubbish, that gives the mass the appearance of a moving island, bearing a forest, with its roots mocking the heavens; while the dishonoured branches lash the tide in idle vengeance: this, as it approaches the vessel, and glides swiftly past, looks like the fragment of a world in ruins.

Sobre o autor

Frances Trollope, the mother of the prolific mid-Victorian novelist Anthony Trollope, was an accomplished novelist and travel writer in her own right. In all, she was the author of 35 novels, many of them quite popular. Born the second daughter of a vicar, she was raised in the town of Bristol. In 1809 she married Thomas Trollope, a promising young barrister. Although Thomas had a profitable legal practice, a number of pecuniary crises strained the Trollopes financially. In 1827, partly in an attempt to escape her husband's sullenness over their money matters and partly to help rebuild the family's fortune, she took three of her six children to the United States, where she remained until 1830. There (in Cincinnati) she set up a retail store that was to provide this region of provincial America with European culture. When the scheme failed, Trollope turned to writing as a means of self-preservation. The result was Domestic Manners of the Americans, which was immensely popular, and The Refugee in America, her first novel, both published in 1832. Soon after she established a professional relationship with the publisher Richard Bentley, who went far to publicize her work. The finances of the family did not improve, however, and in 1835, finally bankrupt, the Trollopes moved to Belgium, where Thomas died. Frances's agreement with Bentley, who paid her $7600 per novel, and her remarkable output of two novels per year restored the family fortunes. During her life Trollope's fiction was considered rough and inelegant, and she was not a favorite of the critics. In recent years her work has begun to attract considerable attention for its insightful political and social analysis and its strong stand on issues of the day.

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