Charlie Turns Into a T-Rex
Om den här ljudboken
Penguin presents the audiobook edition of Charlie Turns Into a T-Rex written by Sam Copeland, read by Rhashan Stone.
'The modern masterpiece' - Daily Telegraph
When dad's business takes a sudden turn for the worse, the McGuffin family face the terrible prospect of having to sell their house and move in with Aunt Brenda and her seventeen cats (and wooden leg).
Only Charlie and best friends Flora, Mohsen and Wogan can save the day. If they can break into the fortress-like offices of Van Der Gruyne Industries and recover the McGuffins' stolen gold, maybe Charlie won't have to move away after all.
Trouble is, the pressure is getting to Charlie, making it harder for him to control when he changes into an animal - and harder still to change back. Can Charlie's friends help him master his powers once and for all, or will he end up stuck as a pigeon forever . . . ?
The second book in this middle grade series perfect for David Walliams fans is a hilarious blend of humour and heart, brilliantly illustrated by Sarah Horne.
'So good you'll cluck with laughter' - Pamela Butchart
Betyg och recensioner
Om författaren
Sam Copeland (Author)
Sam Copeland is an author, which has come as something of a surprise to him. He is from Manchester and now lives in London with two smelly cats, three smelly children and one relatively clean-smelling wife.
He is the author of the bestselling Charlie Changes Into a Chicken series (the first book of which was shortlisted for the Waterstones Children's Book Prize), Uma and the Answer to Absolutely Everything and Greta and the Ghost Hunters. With Jenny Pearson, he has also written Tuchus & Topps Investigate: The Underpants of Chaos and Tuchus & Topps Investigate: The Attack of the Robot Librarians.
Despite legal threats, he refuses to stop writing.
Sarah Horne (Illustrator)
Sarah Horne has been an illustrator for over fifteen years, she started her career working for newspapers such as the Guardian and the Independent On Sunday and has since illustrated many funny young fiction titles.
She works traditionally with a dip pen and Indian ink, and finishes the work digitally.
