Charlie Changes Into a Chicken
Tentang buku audio ini
Penguin presents the audiobook edition of Charlie Changes Into a Chicken by Sam Copeland, read by Rhashan Stone.
Charlie McGuffin tries to be an optimist, but in reality he's a bit of a worrier.
Some of the things Charlie is worried about:
· His brother (who is in hospital)
· Their very panicked parents
· Unwanted attention from the school bully
· The fact that he's started turning into animals!
Even though every kid wants a superhero power, Charlie isn't keen on turning into a pigeon in the middle of the school play.
But what happens if he does? Will he get sent away for Science to deal with? Will his parents crack under the extra stress?
With the help of his three best friends, Charlie needs to find a way of dealing with his crazy new power - and fast!
Praise for Charlie Changes into a Chicken:
'Hysterically funny!' Jeremy Strong, author of My Brother's Famous Bottom
'Full of heart and humour, wit and wisdom, and rivers of rhino poo' Sophie Anderson, author of The House with Chicken Legs
'Wonderfully heart-warming and absolutely hilarious' Catherine Doyle, author of The Storm Keeper's Island
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Sam Copeland (Author)
Sam Copeland is an author, which has come as something of a surprise to him. He is from Manchester and now lives in London with two smelly cats, three smelly children and one relatively clean-smelling wife.
He is the author of the bestselling Charlie Changes Into a Chicken series (the first book of which was shortlisted for the Waterstones Children's Book Prize), Uma and the Answer to Absolutely Everything and Greta and the Ghost Hunters. With Jenny Pearson, he has also written Tuchus & Topps Investigate: The Underpants of Chaos and Tuchus & Topps Investigate: The Attack of the Robot Librarians.
Despite legal threats, he refuses to stop writing.
Sarah Horne (Illustrator)
Sarah Horne has been an illustrator for over fifteen years, she started her career working for newspapers such as the Guardian and the Independent On Sunday and has since illustrated many funny young fiction titles.
She works traditionally with a dip pen and Indian ink, and finishes the work digitally.
