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Brought to you by Penguin.
A far-ranging, invigorating and irrepressible collection of essays on literature, cinema, art - and everything in between - from the MAN BOOKER PRIZE- and WOMEN'S PRIZE-SHORTLISTED author of Feel Free and Swing Time
How did George Eliot's love life affect her prose? Why did Kafka write at three in the morning? In what ways is Barack Obama like Eliza Doolittle? Can you be over-dressed for the Oscars? What is Italian Feminism? If Roland Barthes killed the Author, can Nabokov revive him? What does 'soulful' mean? Is Date Movie the worst film ever made?
A collection of essays that brims over with personality and warmth, Changing My Mind is journalism at its most expansive, intelligent and funny - a gift to readers and writers both. Within its covers an essay is more than a column of opinions: it's a space in which to think freely.
'Alarmingly good' Metro
'Striding with open hearted zest and eloquence between fiction (from EM Forster to David Foster Wallace) and travel, movies and comedy, family and community in a self-portrait that charts the evolution of a formidable talent' Independent
'Supremely good. Smith writes with such infectious zeal and engaging accessibility that it makes you want to turn up at her house and demand tutoring' Dazed
'Brilliant' Vogue
© Zadie Smith 2009 (P) Penguin Audio 2021
作者简介
Zadie Smith is the author of the novels White Teeth, The Autograph Man, On Beauty, NW and Swing Time, as well as three collections of essays, Changing My Mind, Feel Free and Intimations, and a collection of short stories, Grand Union.
White Teeth won multiple awards, including the James Tait Black Memorial Prize, the Whitbread First Novel Award and the Guardian First Book Award. On Beauty was shortlisted for the Man Booker Prize and won the Orange Prize for Fiction, and NW was shortlisted for the Baileys Women's Prize for Fiction.
Zadie Smith is currently a tenured professor of fiction at New York University and a Member of the American Academy of Arts and Letters. She is a regular contributor to the New Yorker and the New York Review of Books.
