Chameleon: The Virtual Reality Virus

Cougar WebWorks ยท แƒฎแƒ”แƒšแƒแƒ•แƒœแƒฃแƒ แƒ˜ แƒ˜แƒœแƒขแƒ”แƒšแƒ”แƒฅแƒขแƒ˜แƒก แƒ›แƒ˜แƒ”แƒ  แƒ›แƒแƒ—แƒฎแƒ แƒแƒ‘แƒ˜แƒšแƒ˜ Matt-แƒ˜แƒกแƒ’แƒแƒœ (Google-แƒ˜แƒ“แƒแƒœ)
แƒแƒฃแƒ“แƒ˜แƒแƒฌแƒ˜แƒ’แƒœแƒ˜
10 แƒกแƒ—, 2 แƒฌแƒ—
แƒจแƒ”แƒฃแƒ›แƒแƒ™แƒšแƒ”แƒ‘แƒ”แƒšแƒ˜
แƒฎแƒ”แƒšแƒแƒ•แƒœแƒฃแƒ แƒ˜ แƒ˜แƒœแƒขแƒ”แƒšแƒ”แƒฅแƒขแƒ˜แƒก แƒ›แƒ˜แƒ”แƒ  แƒ›แƒแƒ—แƒฎแƒ แƒแƒ‘แƒ˜แƒšแƒ˜
แƒ แƒ”แƒ˜แƒขแƒ˜แƒœแƒ’แƒ”แƒ‘แƒ˜ แƒ“แƒ แƒ›แƒ˜แƒ›แƒแƒฎแƒ˜แƒšแƒ•แƒ”แƒ‘แƒ˜ แƒ“แƒแƒฃแƒ“แƒแƒกแƒขแƒฃแƒ แƒ”แƒ‘แƒ”แƒšแƒ˜แƒ ย แƒจแƒ”แƒ˜แƒขแƒงแƒ•แƒ”แƒ— แƒ›แƒ”แƒขแƒ˜
แƒ’แƒกแƒฃแƒ แƒ— 1 แƒกแƒ—-แƒ˜แƒแƒœแƒ˜ แƒœแƒ˜แƒ›แƒฃแƒจแƒ˜? แƒ›แƒแƒฃแƒกแƒ›แƒ˜แƒœแƒ”แƒ— แƒ›แƒแƒก แƒœแƒ”แƒ‘แƒ˜แƒกแƒ›แƒ˜แƒ”แƒ  แƒ“แƒ แƒแƒก, แƒฎแƒแƒ–แƒ’แƒแƒ แƒ”แƒจแƒ” แƒ แƒ”แƒŸแƒ˜แƒ›แƒจแƒ˜แƒช แƒ™แƒ˜.ย 
แƒ“แƒแƒ›แƒแƒขแƒ”แƒ‘แƒ

แƒแƒ› แƒแƒฃแƒ“แƒ˜แƒแƒฌแƒ˜แƒ’แƒœแƒ˜แƒก แƒจแƒ”แƒกแƒแƒฎแƒ”แƒ‘

A spin under the new VR headgear sends programmer Joe Norton into fictional territory: an AI game of tough love, mind control, and true choices. At stake are Nortonโ€™s relationships, career and sanity. He has a new mission to fulfillโ€”but his gift-wrapped scope rifle came with no instructions, no target or source, only a single bullet.


Norton chases red herrings into dimensional cul-de-sacs, seeks escape, and is tangled tighter in the net. Is the only way out, to go further in? Caught between worlds with a menu of bad choices, Norton must find his way back to the "home brain," to beat the rogue cybervirus at its own game.


Published in earlier editions as PsyBot and FutureCon, Chameleon is recast in Vancouver in 1992, as a throwback to the cyberpunk era, a retro dive into the underworld of mind-control black ops, and a literate interface with emerging transhumanist technologies and agendas.

แƒแƒ•แƒขแƒแƒ แƒ˜แƒก แƒจแƒ”แƒกแƒแƒฎแƒ”แƒ‘

Nowick Gray played in BASIC on some of the first time-sharing computers, in the late '60s. By the early '90s he was wiring his laptop for a 12-volt power supply in the bush, and foraging in realms of UFO abductions, mind-control conspiracies, and cyberpunk. His alter ego, Joe Norton, reports from the psychic trenches of that heady era of tech takeoff.


Nowick currently makes his home on Salt Spring Island, BC, where he writes fiction and creative nonfiction. He also works as a freelance copyeditor. When not engaged with words, he enjoys hiking, kayaking, and playing African drums.

แƒแƒ› แƒแƒฃแƒ“แƒ˜แƒแƒฌแƒ˜แƒ’แƒœแƒ˜แƒก แƒจแƒ”แƒคแƒแƒกแƒ”แƒ‘แƒ

แƒ’แƒ•แƒ˜แƒ—แƒฎแƒแƒ แƒ˜แƒ— แƒ—แƒฅแƒ•แƒ”แƒœแƒ˜ แƒแƒ–แƒ แƒ˜.

แƒ˜แƒœแƒคแƒแƒ แƒ›แƒแƒชแƒ˜แƒ แƒ›แƒแƒกแƒ›แƒ”แƒœแƒ˜แƒก แƒจแƒ”แƒกแƒแƒฎแƒ”แƒ‘

แƒกแƒ›แƒแƒ แƒขแƒคแƒแƒœแƒ”แƒ‘แƒ˜ แƒ“แƒ แƒขแƒแƒ‘แƒšแƒ”แƒขแƒ”แƒ‘แƒ˜
แƒ“แƒแƒแƒ˜แƒœแƒกแƒขแƒแƒšแƒ˜แƒ แƒ”แƒ— Google Play Books แƒแƒžแƒ˜ Android แƒ“แƒ iPad/iPhone แƒ›แƒแƒฌแƒงแƒแƒ‘แƒ˜แƒšแƒแƒ‘แƒ”แƒ‘แƒ˜แƒกแƒ—แƒ•แƒ˜แƒก. แƒ˜แƒก แƒแƒ•แƒขแƒแƒ›แƒแƒขแƒฃแƒ แƒแƒ“ แƒ’แƒแƒœแƒแƒฎแƒแƒ แƒชแƒ˜แƒ”แƒšแƒ”แƒ‘แƒก แƒกแƒ˜แƒœแƒฅแƒ แƒแƒœแƒ˜แƒ–แƒแƒชแƒ˜แƒแƒก แƒ—แƒฅแƒ•แƒ”แƒœแƒก แƒแƒœแƒ’แƒแƒ แƒ˜แƒจแƒ—แƒแƒœ แƒ“แƒ แƒกแƒแƒจแƒฃแƒแƒšแƒ”แƒ‘แƒแƒก แƒ›แƒแƒ’แƒชแƒ”แƒ›แƒ—, แƒฌแƒแƒ˜แƒ™แƒ˜แƒ—แƒฎแƒแƒ— แƒกแƒแƒกแƒฃแƒ แƒ•แƒ”แƒšแƒ˜ แƒ™แƒแƒœแƒขแƒ”แƒœแƒขแƒ˜ แƒœแƒ”แƒ‘แƒ˜แƒกแƒ›แƒ˜แƒ”แƒ  แƒแƒ“แƒ’แƒ˜แƒšแƒแƒก, แƒ แƒแƒ’แƒแƒ แƒช แƒแƒœแƒšแƒแƒ˜แƒœ, แƒ˜แƒกแƒ” แƒฎแƒแƒ–แƒ’แƒแƒ แƒ”แƒจแƒ” แƒ แƒ”แƒŸแƒ˜แƒ›แƒจแƒ˜.
แƒšแƒ”แƒžแƒขแƒแƒžแƒ”แƒ‘แƒ˜ แƒ“แƒ แƒ™แƒแƒ›แƒžแƒ˜แƒฃแƒขแƒ”แƒ แƒ”แƒ‘แƒ˜
แƒจแƒ”แƒ’แƒ˜แƒซแƒšแƒ˜แƒแƒ— แƒฌแƒแƒ˜แƒ™แƒ˜แƒ—แƒฎแƒแƒ— Google Play-แƒ–แƒ” แƒจแƒ”แƒซแƒ”แƒœแƒ˜แƒšแƒ˜ แƒฌแƒ˜แƒ’แƒœแƒ”แƒ‘แƒ˜ แƒ—แƒฅแƒ•แƒ”แƒœแƒ˜ แƒ™แƒแƒ›แƒžแƒ˜แƒฃแƒขแƒ”แƒ แƒ˜แƒก แƒ•แƒ”แƒ‘ แƒ‘แƒ แƒแƒฃแƒ–แƒ”แƒ แƒ˜แƒก แƒ’แƒแƒ›แƒแƒงแƒ”แƒœแƒ”แƒ‘แƒ˜แƒ—.

แƒ›แƒ”แƒขแƒ˜ แƒแƒ•แƒขแƒแƒ แƒ˜แƒกแƒ’แƒแƒœ Nowick Gray

แƒ›แƒกแƒ’แƒแƒ•แƒกแƒ˜ แƒแƒฃแƒ“แƒ˜แƒแƒฌแƒ˜แƒ’แƒœแƒ”แƒ‘แƒ˜

แƒ›แƒ—แƒฎแƒ แƒแƒ‘แƒ”แƒšแƒ˜ Matt-แƒ˜แƒก แƒ›แƒ˜แƒ”แƒ