Bushworld

Maureen Dowd

2004년 9월 · Penguin Random House Audio · 내레이터: Kathe Mazur

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From Washington to Kennebunkport to Texas to old Europe and new Europe, during the past two decades Maureen Dowd has trained her binoculars on the Bush dynasty, putting them, as both 41 and 43 have complained to her, "on the couch." Here she wittily dissects the Oedipal loop-de-loop between father and son and the Orwellian logic of the rush to war in Iraq. It's a turbulent odyssey charting how a Shakespearean cast of regents, courtiers, and neo-con Cabalists-all with their own subterranean agendas-hijack King George II's war on terror and upend the senior Bush's cherished internationalist foreign policy and Persian Gulf coalition.

As she's written about Bushworld, "It's their reality. We just live and die in it.'"

For thirty years, Maureen Dowd has written about Washington-and America-in a voice that is acerbic, passionate, outraged, and incisive. But nothing has engaged her as powerfully as the extraordinary agendas, absurdities, and obsessions of George the Younger. Drawing upon her celebrated columns, with a new introductory essay, she probes the topsy-turvy alternative universe of a group she has made recognizable by their first names, middle initials, nicknames, or numbers-41, the Boy Emperor, Rummy, Condi, Wolfie, Uncle Dick of the Underworld, General Karl, Prince of Darkness (Richard Perle), and her own nickname from W., the Cobra-as they seek an extreme makeover of the country and the world. Bushworld is a book that any reader who cares about the real world won't want to miss.

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Maureen Dowd was born in Washington, DC, received a BA in English from Catholic University in 1973, then began her career at the Washington Star. From there she went to Time magazine, then moved to The New York Times in 1986 as a Washington correspondent. She has covered four presidential campaigns and served as a White House correspondent. In 1995 she became a columnist for The New York Times's op-ed page and in 1999 won the Pulitzer Prize for distinguished commentary.

Käthe Mazur (pronounced “kay-ta”) has been heard on many BOT titles, including Vanished Smile by R. A. Scotti, Hillary Clinton’s Living History, Ann Coulter’s Slander and Treason, and Sarah Dunant’s The Birth of Venus. She also continues to work extensively in film, television, and theater.