Antony and Cleopatra

· Blackstone Audio Inc. · Səsləndirən: a full cast, Tracy-Ann Oberman, Emma Gregory, Ciaran Hinds, David Burke, Charles Simpson, Trevor Martin, Eve Matheson və Estelle Kohler
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Mark Antony, one of the three rulers of the Roman world, has become the thrall of the fascinating Cleopatra.

Affairs of state call Mark Antony to Rome, but the attractions of the queen of Egypt prove impossible to resist. From one of history’s greatest love stories Shakespeare builds this magnificent tragedy of the clash between love and duty.

Cleopatra is played by Estelle Kohler, Mark Antony by Ciaran Hinds, Ian Hughes is Octavius Caesar, and David Burke is Domitius Enobarbus.

ACT IScene 1. Mark Antony, together with Octavius Caesar and Lepidus, is one of the three Triumvirs who rule the Roman Empire. But Antony is slavishly in love with Cleopatra, Queen of Egypt, and shows no interest in affairs of state.Scene 2. Members of Cleopatra’s entourage amuse themselves consulting a soothsayer. Antony learns that his wife Fulvia, who has been in rebellion against Caesar, is dead. Forces opposed to the Triumvirs are having considerable success and he finally realizes that he must leave Egypt.Scene 3. Antony tells Cleopatra that he intends to return to Rome.Scene 4. Caesar is angered by Antony’s behavior and will not be mollified by Lepidus. News floods in of their enemies’ growing strength.Scene 5. Cleopatra languishes in Antony’s absence.

ACT IIScene 1. Pompey, the Triumvirs’ principal enemy, is disturbed to hear of Antony’s return to Rome. Menas remains optimistic that the insurrection of Antony’s brother and wife has soured his relations with Caesar, but Pompey foresees that divisions will be forgotten in the face of an external enemy.Scene 2. A tense meeting between Caesar and Antony is smoothed over by Lepidus and Agrippa, who suggest that Antony marry Caesar’s sister Octavia. Enobarbus, Antony’s trusted lieutenant, remembers Antony’s first meeting with Cleopatra; he is sure that Antony will never leave her.Scene 3. A soothsayer tells Antony that he cannot shine with Caesar is near. He decides to return to Egypt.Scene 4. Lepidus, Agrippa, and Maecenas prepare to go to war.Scene 5. When a messenger tells Cleopatra of Antony’s marriage to Octavia, she flies into a violent rage.Scene 6. Pompey invites the Triumvirs to a banquet aboard his galley. Enobarbus predicts Antony’s infidelity to Octavia and that her sighs will “blow the fire up in Caesar.”Scene 7. At the banquet, Menas suggests that Pompey could become master of the world if he were to order the murder of his guests. Pompey rejects the idea, but regrets that Menas has not acted on his own initiative.

ACT IIScene 1. In Syria, Ventidius enters triumphant with the body of the son of the Parthian king. Ventidius plays down his achievement, wary of losing Antony’s favor by raising himself up too high.Scene 2. Enobarbus and Agrippa ridicule Lepidus’ devotion to Antony and Caesar. Octavia bids Caesar a sad farewell as she leaves for Athens with Antony.Scene 3. Cleopatra questions a messenger about Octavia and concludes that, being “dull of tongue, and dwarfish,” she is no threat.Scene 4. Antony is furious that Caesar has spoken slightingly of him and, contrary to their agreement, has gone to war against Pompey. Octavia will return to Rome in an attempt to reconcile her brother and husband.Scene 5. Caesar has imprisoned Lepidus for allegedly communicating with Pompey. Scene 6. Caesar rails against Antony’s division of the Eastern provinces among Cleopatra and her children. Octavia seeks to defend her husband, but Caesar informs her that he is now in Egypt with Cleopatra, who is levying forces for war.Scene 7. Despite strong advice to the contrary, Antony insists on a naval battle rather than fighting on land where he has the advantage.Scene 8. Caesar gives the order to meet Antony at sea.Scene 9. Antony positions his squadrons within view of Caesar’s battle line.Scene 10. Enobarbus, Scarus, and Canidius watch appalled as Cleopatra’s ships flee, followed by Antony. Canidius decides to join forces with Caesar, whilst Enobarbus, against his better judgement, remains with Antony.Scene 11. Back in Alexandria, Antony is riven with shame. Cleopatra claims she had not thought he would follow when she retreated. He replies, “thou knew’st too well/My heart was to thy rudder tied by the strings.”Scene 12. Caesar rejects Antony’s terms for surrender, but shows clemency to Cleopatra on condition that she betray her lover.Scene 13. Antony rages against Caesar, challenging him to single combat. Only Cleopatra’s assurance of her love finally calms him. Believing that Antony has lost his reason, Enobarbus resolves to leave him.

ACT IVScene 1. Caesar rejects Antony’s challenge and gives the order to do battle the next mornign.Scene 2. Enobarbus reproaches Antony for his melancholy words.Scene 3. Full of trepidation, soldiers gather for the battle.Scene 4. Antony prepares for battle.Scene 5. Antony hears that Enobarbus has gone.Scene 6. When Enobarbus learns that Antony has sent his treasure after him, he is struck to the heart that he has deserted a man of such nobility.Scene 7. The battle goes in Antony’s favor.Scene 8. Antony, jubilant with success, meets Cleopatra after the first day’s fighting.Scene 9. Enobarbus dies heartbroken.Scene 10. Scarus tells Antony that Caesar will attack by land and sea.Scene 11. Caesar gives orders for the battle.Scene 12. Antony loses the battle when the Egyptians desert him. He rejects Cleopatra bitterly.Scene 13. Cleopatra, frightened by Antony’s rage, hides in her monument and sends word that she has killed herself.Scene 14. When he hears of Cleopatra’s alleged death, Antony falls on his sword.Scene 15. Antony is carried to Cleopatra and dies.

ACT VScene 1. When Caesar hears of Antony’s death, he dispatches an ambassador to Cleopatra.Scene 2. Dolabella tells Cleopatra that Caesar intends to lead her in triumph through Rome. Caesar treats Cleopatra with courtesy, though he warns her against attempting suidice. Horrified at the thought of being exhibited in front of the Roman rabble, Cleopatra announces that she will follow Antony’s example and die. A country fellow brings Cleopatra a basket containing poisonous snakes. Crowned and robed as a queen, she clasps the snakes to her bosom and dies. Caesar, now sole ruler of the Roman world, orders that Cleopatra he buried with her Antony.

CASTMark Antony: Ciaran Hinds / Cleopatra: Estelle Kohler / Domitius Enobarbus: David Burke / Octavius Caesar: Ian Hughes / Charmian: Eve Matheson / Iras: Emma Gregory / Lepidus: Trevor Martin / Pompey: Charles Simpson / Octavia: Tracy-Ann Oberman / Eros: John McAndrew / Philo: Steve Hodson / Soothsayer: Arthur Cox / Menecrates: Michael N. Harbour / Menas: Jonathan Tafler / Scarus: Mark Bonnar / Diomedes: Will Keen / Cleopatra’s Messenger: Gary Bakewell / Alexas: Richard Durden / Mardian: Christopher Luscombe / Other parts played by David Bannerman, Sean Baker, Philip Bretherton, Anthony Jackson, Martin Marquez, Nicholas Murchie, Alisdair Simpson, and Stephen Thorne

Director: Clive Brill / Composer: Dominique Le Gendre / Production Coordinators: Polly Coles and Charlotte Harvey / Sound Engineer: Wilfredo Acosta / Producers: Bill Shepherd and Tom Treadwell

TRACK LISTDisc 1Track 1: Act I, Scene iTrack 2: Act I, Scene iiTrack 3: Act I, Scene iiiTrack 4: Act I, Scene ivTrack 5: Act I, Scene vTrack 6: Act II, Scene iTrack 7: Act II, Scene iiTrack 8: Act II, Scene iiiTrack 9: Act II, Scene ivTrack 10: Act II, Scene vTrack 11: Act II, Scene vi

Disc 2Track 1: Act II, Scene viiTrack 2: Act III, Scene iTrack 3: Act III, Scene iiTrack 4: Act III, Scene iiiTrack 5: Act III, Scene ivTrack 6: Act III, Scene vTrack 7: Act III, Scene viTrack 8: Act III, Scene viiTrack 9: Act III, Scene viiiTrack 10: Act III, Scene ixTrack 11: Act III, Scene xTrack 12: Act III, Scene xiTrack 13: Act III, Scene xiiTrack 14: Act III, Scene xiiiTrack 15: Act IV, Scene iTrack 16: Act IV, Scene iiTrack 17: Act IV, Scene iiiTrack 18: Act IV, Scene ivTrack 19: Act IV, Scene vTrack 20: Act IV, Scene vi

Disc 3 Track 1: Act IV, Scene viiTrack 2: Act IV, Scene viiiTrack 3: Act IV, Scene ixTrack 4: Act IV, Scene xTrack 5: Act IV, Scene xiTrack 6: Act IV, Scene xiiTrack 7: Act IV, Scene xiiiTrack 8: Act IV, Scene xivTrack 9: Act IV, Scene xvTrack 10: Act V, Scene iTrack 11: Act V, Scene ii

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Müəllif haqqında

William Shakespeare (1564–1616), English poet and dramatist, is the most widely known author in all of English literature and often considered the greatest.

Tom Wheelwright es Contador Público Autorizado y la fuerza creativa detrás de WealthAbility, el movimiento de Riqueza libre de impuestos más importante del mundo, que sirve a empresarios e inversores a nivel mundial. Como fundador y CEO, Tom ha sido responsable de revolucionar los servicios de consultoría y estrategias fiscales, empresariales y de riqueza para clientes premium durante casi 30 años. Tom es un experto en estrategias fiscales para sociedades y corporaciones, un conocido orador y un innovador en educación financiera. Robert T. Kiyosaki, autor bestseller de Padre Rico, Padre Pobre, se refiere a Tom como "un jugador que cualquiera que quiera ser rico necesita tener en su equipo". Ha sido colaborador de Robert T. Kiyosaki en varios de sus libros. Tom tiene una maestría en Contabilidad Profesional por la Universidad de Texas y una licenciatura en Artes por la Universidad de Utah.

E. A. Copen lives deep in the deep dark woods outside one of the most haunted cities in Ohio. While working a boring retail job, she entertained herself with stories of the fantastic, some of which became books like Guilty by Association, Death Rites, and Broken Empire. She speaks three languages fluently: English, Latin, and sarcasm. E. A. is currently studying to become proficient in memes.

Tracy-Ann Oberman is an actress and also writes a column for the Guardian. She studied drama at Manchester and spent four years at the Royal Shakespeare Company.

Emma Gregory has enjoyed an extensive and varied career. Some of her many radio titles include The Diary Of Samuel Pepys, Don Quixote (with Paul Schofield), The Bell, In the Native State (with Peggy Ashcroft), Dombey and Son, The Quatermass Memoirs (with Andrew Keir), and Great Expectations. She has also recorded Shakespeare on CD for Riverrun Productions and the soundtrack of The Beggars Opera for the Royal Shakespeare Company. She works regularly as a voice-over artist for various companies, including the History and Biography channels.

David Burke played Kent in the widely praised production of King Lear by Richard Eyre at the Royal National Theatre. Among his many other theatrical credits was the extended London run of Michael Frayn’s Copenhagen. He has also appeared in Richard III and Coriolanus for the Almeida Theatre at the Gainsborough Studios and on tour in Japan and the United States. He has been seen in numerous film and television productions. He also played the part of Gonzalo in The Tempest and Estragon in Waiting for Godot for Naxos AudioBooks.

Trevor Martin is a British stage and film actor known for playing popular British characters, including Doctor Who and Sherlock Holmes.

Eve Matheson, a British actress, has played Cordelia in King Lear, Lady Anne in Richard III, Arte in The Shaughraun, and Eve in The Mysteries at the Royal National Theatre. Her other London theater credits include Ghosts, The Madras House, and A Chaste Maid in Cheapside. On television she is well known as Becky Sharp in Vanity Fair, Zoe in May to December, and Catherine Grieve in Ambassador.

Estelle Kohler is an associate artist of the Royal Shakespeare Company. Her long career as a Stratford leading lady began with Juliet to Ian Holm’s Romeo, winning the London Critics’ Award. She has won other awards and nominations for a great range of work on stage, film, and television.

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