All the Windwracked Stars
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In Elizabeth Bear's All the Windwracked Stars the last of the Valkyries has come to the last city at the end of time, to reclaim the ancient swords of her dead brothers and sisters
It all began with Ragnarok, with the Children of the Light and the Tarnished ones battling to the death in the ice and the dark. At the end of the long battle, one Valkyrie survived, wounded, and one valraven – the steeds of the valkyrie.
Because they lived, Valdyrgard was not wholly destroyed. Because the valraven was transformed in the last miracle offered to a Child of the Light, Valdyrgard was changed to a world where magic and technology worked hand in hand.
2500 years later, Muire is in the last city on the dying planet, where the Technomancer rules what's left of humanity. She's caught sight of someone she has not seen since the Last Battle: Mingan the Wolf is hunting in her city.
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Elizabeth Bear was born on the same day as Frodo and Bilbo Baggins, but in a different year. This, coupled with a childhood tendency to read the dictionary for fun, led her inevitably to penury, intransigence, the mispronunciation of common English words, and the writing of speculative fiction. Bear was the recipient of the John W. Campbell Award for Best New Writer in 2005. She has won two Hugo Awards for her short fiction, a Sturgeon Award, and the Locus Award for Best First Novel. She is the author of the acclaimed Eternal Sky series, the Edda of Burdens series, and coauthor (with Sarah Monette) of the Iskryne series. Bear lives in Brookfield, Massachusetts.
Kate Reading is the recipient of multiple AudioFile Earphones Awards and has been named by AudioFile magazine as a "Voice of the Century," as well as the Best Voice in Science Fiction & Fantasy in 2008 and 2009 and Best Voice in Biography & Culture in 2010. She has narrated works by authors as Jane Austen, Robert Jordan, Edith Wharton, and Sophie Kinsella. Reading has performed at numerous theaters in Washington D.C. and received a Helen Hayes Award for her performance in Aunt Dan and Lemon. AudioFile Magazine reports that, "With subtle control of characters and sense of pacing, Kate's performances are a consistent pleasure."
