A Room of One's Own
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“I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman.”
In A Room of One’s Own, Virginia Woolf’s classic six-part essay, the iconic Modernist writer takes on the misogyny of writing, publishing, and creativity in her time. Through the imagined sister of William Shakespeare, who in her argument possesses the same talent and intellect as the famous playwright, Woolf lays out the fundamental truth that one requires room to express creativity and time to explore and see it through. Genius unexpressed is genius nonetheless, and had Shakespeare’s sister the means to make her own art, she would have had the same lasting legacy as her brother.
By breaking down the parts of society that prevent women from having this room and time, Woolf demonstrates that the lack of women in canonical literature and art is not a lack of their talent or industry, but a tragedy that they were prevented from ever putting pen to paper in the first place.
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Virginia Woolf (1882–1941), née Adeline Virginia Stephen, was one of the most important writers of the twentieth-century modernist tradition. She was a pioneer in the usage of the stream-of-consciousness narrative device, and since the publication of her first novel, The Voyage Out in 1915, she published a steady and remarkable stream of essays, fiction, and literary criticism throughout her life. In 1912 she married Leonard Woolf, and together they founded Hogarth Press in 1917. Her friendship and relationship with the writer and gardener Vita Sackville West began in 1922 and carried on until Woolf died by suicide in 1941. Among her best-known works are Mrs. Dalloway, To the Lighthouse, and Orlando.
Gabrielle de Cuir, an Audie and Earphones Award–winning narrator, has narrated over three hundred titles and specializes in fantasy, humor, and titles requiring extensive foreign language and accent skills.
