A Desperate Frame-up

· Dagmar Miura · AI-uppläst av Matt (från Google)
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6 tim 11 min
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Om den här ljudboken

Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of Los Angeles, rooting out insurance fraud, not afraid to use whatever means necessary to get things done, and not about to hold back with his fists. A queer antihero for a new age, Slater walks the line between ordinary life and the frayed fringes of society, keeping his balance with the back-channel support he gets from his idiot cop ex-boyfriend, Conrad, and regular squeeze Andy.

Hired by a desk jockey to stalk her ex-husband and dig up dirt, Slater shadows the brawler Harold and his kid, trying in vain not to get too close and get made. Harold’s pushback sends Slater into a more compelling mystery, about Lance, a crypto bro who’s gone missing with a whole lot of dough. Working undercover on a film set, Slater tangles with aging child actors, the surreal world of reality television, and a bare-faced frame-up orchestrated by a cold-blooded player. As he struggles to stay one step ahead of an arms smuggler and the feds that are in pursuit of him, Slater also has to figure out how to navigate his burgeoning “narrative complex” love affair, and how to renegotiate his relationship with Andy. Never hesitating to slap a lowlife around, Slater follows Lance’s faint trail, trying to determine whether he’s alive somewhere enjoying his hoard or planted in a shallow grave in the mountains, all the while trying not to wind up there himself.

Om författaren

George Bixley held a string of jobs, from parking attendant to night desk clerk, before finding his groove in Los Angeles, settling into the seedy underbelly of the metropolis and trying to keep ahead of the wave of gentrification. Bixley sells his soul by day and dredges the bottom by night.

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